Carving the future

Jón Adólf Steinólfsson was born in Reykjavik. He has studied wood carving in Icelandic, Germany and England.

Jón follows an old tradition for he often works with driftwood. Driftwood from Siberia is caught in ice and gradually brought by the ocean currents to Iceland. Wood also comes from other parts of the world, ending up on Iceland´s beaches. Some historians have claimed that without driftwood, Iceland would not have been habitable.

Driftwood was so precious that a host of laws regarding its ownership were passed and enforced. Traditionally, driftwood was used for building nbut also for fuel, to make boats, furniture and to create charcoal. Imported wood was so expensive that it was only available to the foreign traders and to the wealthiest Icelanders.

Given this history, it´s not surprising that Jón carves driftwood.

In his show at the INL 94th convention, there are a number of pieces which reveal both his techniques and his interests.

Many of his works , if you look at his website, www.jonadolf.com, are well done carvings and include things like picture frames or masks. However, he steps away from that role with pieces like Lif (Life), done in lime wood and birch. Here, he becomes the sculptor and, interestingly, for me, at least, I see in this piece influences of Iceland’s religious past.

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Not only is a child being born from wood but given the texture of the wood on which it sits, it appears to be being born from a chaotic environment and even hell.

The other piece that caught my eye was Leit að Takka (Looking for any key). The face in the wood made me think immediately of the carvings of the West Coast aboriginal art. Often this West Coast art is obvious, representative of totems and myth but sometimes It goes beyond that and keeps within itself some mystery below the surface of the wood. Leit að Takka is like that. Or like, perhaps, like an iceberg where the tip only reveals a small part of what lies beneath the surface. Here, where the obvious is not invoked, mystery brings the viewers eye and mind back to look time and again.

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